aoife mcardle

There aren’t many mood pieces in Irish cinema. There are plenty of great stories and plots full of action, drama and suspense. Yet, while some of them capture a mood, it’s never the primary goal. Kissing Candice is different. Not good or…

Irish cinema has really blossomed in the past few years. In the 90s and early 2000s, (outside of Neil Jordan and Jim Sheridan’s work) one could synonymise the country’s output with adjectives like cheap, stuffy and slog. For whatever reason…